Tuesday, February 23, 2010

Children's books are for adults, too.

When my kids were little I enjoyed bedtime stories as much as they did. At first, I read them my childhood favorites, in particular, The Little House books. They liked Laura Ingalls Wilder, but soon developed their own taste in literature. Over time I became just as attached to the endearing characters and intriguing plots in their preferred stories as I was to my own. I realized even though adults are not the target audience, they, too, can relate to children’s books.

The Berenstain Bears by Jan and Stan Berenstain was a big favorite at our house. One night when my son was in preschool The Berenstain Bears and the Trouble with Chores was our bedtime story. I’d had a hectic day, and I so connected with the overworked Mama Bear who did all the household jobs with little help, I actually teared up. My son noticed and asked, “What’s the matter?” I told him, “I feel just like Mama Bear.” “Oh,” he answered, a frown of acknowledgement forming on his forehead. He patted me on the arm and the next day, did all his chores without being asked.

We read to kids because we want to encourage their development, we don’t expect to get anything out of it, but most times we do. My oldest daughter fell in love with Pippi Longstocking by Astrid Lindgren when she was four years old. It’s easy to understand how a child struggling to learn all the do’s and don’ts of society would be attracted to Pippi’s lifestyle which involved few rules. Similarly, all three of my kids loved, Where the Wild Things Are by Maurice Sendak. Both these books invite the reader to let go of their inhibitions. Adults can indulge in letting our imaginations run just as much as kids.

Another common theme in kids books we need to hear is, “I can do it.” The Boxcar Children by Gertrude Chandler Warner is a series my children loved because it shows kids as capable problem solvers. The Alden children take on responsibilities that wouldn’t normally be given to a child and they succeed. The feeling that the we can accomplish our goal is a positive experience we would all like to have. It seems the world is quick to tell us, “You can’t do that, it will never work.” After awhile adults start to believe it. Children’s books can revive our thought processes so we are more positive. I’ve been watching the Olympics the last few weeks and I’ve heard a similar story from several successful athletes--their Olympic dream started when they were young. Their brains absorbed the concept that they were going to be Olympians before they grew up and learned the odds weren’t in their favor. They believed in themselves and their dream came true. As a writer I try and ignore all the “it’s so hard to get published,” comments and I find the best way to do it, is to pick up a children’s book. It can change my mood in no time.

Man is most nearly himself when he achieves the seriousness of a child at play. Heraclitus

Tuesday, February 16, 2010

Inspiration

Inspiration comes from our whole being. Our intellect gets the bulk of credit when we come up with a brilliant idea, but it really acts only as a receiver and filter for innovation. It doesn’t do it alone.

Our feelings play a bigger role. We might feel a strong emotion that triggers a host of creative ideas. For example, in my first novel my tentative book outline included a ‘flood chapter.’ I’ve never been in a flood, so I watched some YouTube videos of floods for ideas. As I watched I could see the desperation in peoples faces as they filled sandbags and built levees. It brought back memories of how I felt when I’d been in a tornado in Wisconsin when I was twelve, and when I watched nearby mountains on fire in California a few years ago. I used those stored up emotions to write my flood scene and it wound up so long I had to turn it into two chapters.

Our five senses can prompt the whole spectrum of emotions. When I thought about the California fires I remembered smoke. Smelling smoke with every breath you take sets off a natural kind of alarm in your head. So does a clap of thunder. The smell of flowers, the powerful rev of an engine, a hot shower, and joyful singing all give different sensations that can breed inspiration.

Human interaction can give us insight, too. I overheard a conversation between an elderly husband and wife at the store the other day. They had a misunderstanding that made me laugh and gave me a story idea. Don’t worry, I don’t deliberately eavesdrop on private conversations to obtain writing ideas. They were speaking loudly--he may have been hard of hearing--I could not help but hear and I’m glad I did. The story will not be their exact scenario, they just lit the fuse for a narrative that will unfold from my imagination.

I also get ideas when I’m doing mundane tasks. I’m not deep in concentration and over-thinking like I am when I’m focused on writing at my computer. Let’s face it, I really don’t have to think about silverware when I unload the dishwasher, I’m on auto-pilot, my mind is open and free. The other day I was vacuuming and the perfect dialogue for a scene I was struggling with earlier popped into my head. I clicked off the machine and ran to the computer to get it down before I could forget. Earlier at the computer, I was stuck, but when I worked out my frustration physically I refocused and inspiration came. Many successful people go for walks, swims, or practice yoga for this reason. They deliberately create physical circumstances where their minds will be more open to receive ideas.

No matter what your profession, always approach a problem with your whole being not just your brain. Brains are great, but they can’t do it alone.



Inspiration is needed in geometry, just as much as in poetry.” Aleksandr Sergeyevich Pushkin

Tuesday, February 9, 2010

Time Management

I tend to be a person who becomes absorbed in an activity, I don’t want to put it down and move on to something else, until I’ve completed it. This is especially true when the activity is something I enjoy. As a freelance writer, this presents a problem because I love almost all the activities involved. The writing, editing, public relations and marketing roles are the most fun for me. I don’t even mind my role as salesperson--at least up until it involves rejection. The hardest role for me is that of administrator.

Being an administrator means I have to practice time management. I create a schedule of all the tasks I need to accomplish and I have to follow it, keeping several balls bouncing at the same. Yesterday I was so engrossed in outlining the plot of The Family Secret - A Rainy Day for a potential agent, I put off work on my The Family Secret - Summer manuscript until today. The problem is today’s calendar says ‘write blog entry.’ So now I’m playing catch-up and I will have to do both today.

When I think about it though, it really isn’t a problem. I’ve been doing this in my personal life as long as I can remember. I’ve juggled the role of a wife, mother, daughter, sister, friend, employee, and my least favorites, cleaning lady and cook, my whole life. Sometimes one of these roles pulls into the forefront for a while, it runs it’s course and then takes it’s place back in line with the others. Well, except for cleaning lady, that’s always at the back of the line. Anyway, wearing the many hats of a freelance writer can’t be much different than everyday life.

Bye for now, The Family Secret - Summer awaits.



I am definitely going to take a course on time management... just as soon as I can work it into my schedule.” Louis E. Boone

Tuesday, February 2, 2010

Beginnings

I find beginnings are the hardest part of writing novels. First, I don’t really know who my protagonist is and where she is going when I start the book. Oh, I think I know, but I’m not sure until I get to the end because my character and plot evolve as the story unfolds.

I’ve written the first chapter of my middle grade mystery about a hundred times, but I’ve revised the last chapter only three times. Of the two, the ending is far closer to being finished. Even now after I’ve been all the way through the manuscript and I know my character and plot, I’m still struggling with my beginning.

I have two challenges that seem to fight against each other. I need to grab the reader’s interest and in a subtle way let him know what to expect ahead. Grabbing interest and subtlety are on opposite ends of the spectrum, yet I need to accomplish both. If I write an action packed chase scene just to reel the reader into my book and the rest of the plot is a sleepy bedtime story I’ve mislead the reader. He is going to be disappointed. Just as serious of an error would be to open the book with a list of backstory information, this and this happened resulting in the character having a problem she needs to solve. This approach is honest. It sets the stage for the reader, but its boring.

The solution to this difficulty is voice. I need to engage the reader by getting him interested in my protagonist’s unique psyche. My character’s distinctive attitude toward her situation can make a connection with the reader, making him want to know more about her and her predicament. This is easier said then done, because characters are complex. I need to choose which attributes to initially reveal about her persona to lure the reader in. I need to pick a setting in the sequence of events in her story that will give me the opportunity to divulge these captivating aspects of her personality and individual situation. All this needs to happen in the first few pages. This is what I’ve been working through this week as I edit The Family Secret - A Rainy Day.

While I know the answer to the secret the characters in my book strive to find, the secret to beginnings is still unknown to me, but I continue to plug away.


The heights by great men reached and kept

Were not attained by sudden flight,

But they, while their companions slept,

Were toiling upward in the night.

HENRY WADSWORTH LONGFELLOW